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Wilfredo
Lam was born in 1902 in Sagua la Grande, Cuba. From 1918 to 1923, he attended
the Art School of Havannah before leaving his country for Spain and entering
the Art School of Madrid, where he worked in the atelier of the painter
Fernando Alvarez de Sotomayor. His first personal exposition took place in
1928. Wilfred Lamâs work finds its origin in the artistâs diverse heritage
(China, Africa, Antilles). The artist was most notably inspired by Africans who
brought their primitive culture, their magic religion, and their sense of
mysticism and connection to nature with them to Cuba. During the
Spanish Civil War in 1937, Wilfredo Lam was obliged to seek refuge in France.
There, he met Picasso, who helped him find his place within the Paris art scene
and introduced him to his friends (Michel Leiris, Paul Eluard, Tristan Tzara,
Lietger, Braque, Miro, Christian Zervos, Matisse, etc.). In 1939, Lam met
Benjamin Peret, and joined André Breton and the Surrealist movement. He began
to paint draw, and engrave imaginary worlds that he created within a state of
automatism and free thought. Lam often
worked in series. In 1941 he undertook, in the company of a group of surrealist
artists, a voyage to his birth country.
At this time, Lamâs painting gave birth to human an animal forms that he
introduced in exuberant environments. Continuing to maintain tight relations in
the realm of Cuban art, all throughout the 50s Lam took to working closely with
the group Cobra and the Italian avant-garde. He equally joined other post-war
artistic movements, such as the movement âPhasesâ and the Situationists. In 1954,
Lam met the poets Gherasim Luca and Alain Jouffroy. He then went to Italy, to
Albissola, where under the initiative of Asger Jorn and Edouard Jaguer, he
helped organize an international sculpture and ceramics artistsâ meeting, where
participate artists such as Appel, Baj, Corneille, Dangelo, Fontana, Scanavino, and Matta. Later, Lam
styled his figures into kinds of totem-subjects, as an intimate confession of
his existence. He also produced an important body of graphic work (lithographs
and engravings), as well as illustrations for numerous texts, mural frescos,
ceramics, and terracotta. |